There have been weeks and months - indeed, sometimes years - when the mere effort to lift her hands and write has been all that she can muster. Even the physical act of writing can occasionally stymie her, as the room spins and her brain swims to find words in a cognitive haze. She cannot attend literary festivals, deliver bookstore readings or give library talks and signings.

Because of the illness, she is forced to remain as secluded from the public as the great hermetic novelists. She is cut off not only from basic tools of reporting, like going places and seeing things, but also from all the promotional machinery of modern book selling.

What’s startling to consider is that Hillenbrand has done this with little access to the outside world.

“Not with this velocity, year after year after year.” “There are other phenomenal best sellers, but not this phenomenal,” she said. Sallye Leventhal, the book buyer for history and politics at Barnes & Noble, told me that Hillenbrand’s commercial success is unparalleled. In fact, the hardcover was so successful that Hillenbrand’s publisher, Random House, waited nearly four years before releasing a paperback edition this summer since then, the paperback has held the top position on The Times’s list every week except one. “Seabiscuit” and “Unbroken” have together sold more than 10 million copies, and the hardcover edition of “Unbroken” remained on The Times’s best-seller list for 185 continuous weeks, which by some accounts is the fourth-longest reign of all time. Somehow, through the dizziness and disorientation, Hillenbrand has managed to produce two of the most critically and commercially successful nonfiction books in recent decades. Hillenbrand has suffered from chronic fatigue syndrome for more than 25 years and can barely leave her own house, but she has turned her illness into an advantage in some ways. Wonderful piece on Laura Hillenbrand, author of Seabiscuit and Unbroken.

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